Barnaby Furnas, "Abraham Lincoln" (2014), Monotype, collagraph, aquatint etching, pochoir and hand-coloring, 38 x 29", Ed. of 26
"Catalyst: Master Prints by Pace Prints" at SCAD

A group exhibition of master prints published by Pace Editions will be on view at the Savannah College of Art and Design in Catalyst: Master Prints by Pace Prints. The exhibition will be on view through April 21, 2017 and includes works by artists Donald Baechler, Rina Banerjee, Tara Donovan, Leonardo Drew, Barnaby Furnas, Anne-Karin Furunes, Daniel Heidkamp and Nicola López.

The exhibition illustrates how the collaborative nature of printmaking may be a catalyst for creativity, and presents a variety of artistic approaches from traditional printmaking techniques to more experimental practices. It was curated by Alexandra Sachs, executive director of SCAD FASH Museum of Fashion + Film and Atlanta Exhibitions and organized in association with the Southeastern Graphics Council International printmaking conference.

Gallery hours are Monday–Friday, 8:30 a.m. to 5:30 p.m. The exhibition is free and open to the public.

James Siena Talk at the Baltimore Museum of Art
James Siena Talk at the Baltimore Museum of Art
Thursday, March 30, 2017

Pace Prints collaborator James Siena will be participating in an artist talk at the Baltimore Contemporary Print fair Thursday, March 30 at 7pm in conversation with Ann Shafer, Associate Curator of Prints, Drawings & Photographs at The Baltimore Museum of Art.

The Baltimore Contemporary Print Fair is a highly anticipated showcase of limited editions, drawings, multi-part portfolios, and photographs by established and emerging artists from approximately 20 vendors from around the United States. On view April 1-2, 2017, the fair is is presented every two years by the BMA’s Print, Drawing & Photograph Society (PDPS).

Dick Solomon: King of Prints in Introspective Magazine
Dick Solomon: King of Prints in Introspective Magazine

Julie L. Belcove interviewed Pace Prints president Dick Solomon for her feature in Introspective Magazine, an editorial venture from 1stDibs. In "Richard Solomon is the King of Prints," Solomon discusses how he got his start in the print business and his advice on collecting art saying, “The most important thing in buying a work of art is that you’re going to like it in four or five years, so it doesn’t give you all that it’s got in your first look.”

Solomon recalls the 1960 stroll in Boston where he discovered the new contemporary art space Pace Gallery and met Arne Glimcher for the first time. “I bought the first thing he ever sold as an art dealer,” says Solomon. Eight years later, the two partnered on the publishing offshoot, which has collaborated with over 150 artists to date.

The interview chronicles Solomon's time at Harvard, Stop & Shop (his mother’s family’s business), Clairol and finally Pace Editions. Solomon credits the Pace Prints staff with some of the milestone business decisions he has made, from becoming a fully operational printshop with the the addition of master printer Joe Wilfer in the mid-1970s to the opening of a Chelsea gallery with a push from then-director Jacob Lewis.

While he is "loath to rank" the prints Pace Prints has produced, he does discuss his sentimental favorite from his personal collection: a fingerprint portrait by Chuck Close depicting a 40-year-old Solomon. At the time, "Solomon’s mother urged him to buy it. 'I said, 'You know, Mom, I really don’t like it. It makes me look much too old.'" but after some time his feelings have changed. “Forty years later,” Solomon notes of the portrait, “I look amazingly good.”

Kiki Smith at the Pace Editions workshop.
Kiki Smith selected to participate in the 57th Venice Biennale
Saturday, May 13, 2017 - Sunday, November 26, 2017

Kiki Smith was one of 120 artists selected to participate in the 57th Venice Biennale, on view May 13-November 26, 2017. 51 countries are represented in this edition, “Viva Arte Viva,” curated by Christine Macel.

“The role, the voice, and the responsibility of the artist are more crucial than ever before within the framework of contemporary debates. It is in and through these individual initiatives that the world of tomorrow takes shape, which though surely uncertain, is often best intuited by artists than others," says Marcel.

Click link in right column for a full list of participating artists and more information on the Venice Biennale.

Shahzia Sikander's glass mosaic in Princeton University's Louis A. Simpson International Building.
Shahzia Sikander's Monumental Glass Mosaic for Princeton University

Princeton University commissioned esteemed artist and Pace Prints collaborator Shahazia Sikander for two permanent, site-specific works: a glass painting for 20 Washington Road, the new Economics building, and a monumental glass mosaic for the atrium of its newly renovated Louis A. Simpson International Building. From Lisa Arcomano, Manager of Campus Collections at Princeton:

A spectacular, sprawling sixty-six-foot mosaic and a twenty-five-foot luminous multilayered glass painting by the acclaimed Pakistani-American artist Shahzia Sikander will join the Museum’s collections this fall. The two site-specific works will be permanently installed at the newly renovated 20 Washington Road, the former Frick Chemistry Laboratory and now the new home to the Economics Department and the Louis A. Simpson International Building at Princeton. Overlooking the building’s large open-lit common areas—the glass painting in the Economics Forum and the mosaic in the International Atrium—the works are Sikander’s first foray into glass.

Multivalent and interdisciplinary, Sikander’s work at Princeton will offer a lens to a practice built on critical thinking, creativity, and an inventive collabo-ration between form and meaning. “I have built my entire understanding of being an artist on a narrative that continues to investigate discourse styles, verbal and poetic language, migration patterns, cultural quarantine, interaction, and ultimately human identity,” states the artist.

One of Sikander’s points of departure for the commission was an encounter with the Princeton University Library’s late sixteenth-century Peck Shahnama during the Museum’s exhibition Princeton’s Great Persian Book of Kings. The manuscript is one of the finest intact Shahnamas in the United States and an archetype of the epic poem by the tenth-century Persian poet Firdausi. History and storytelling feature prominently in Sikander’s work, in which she digs into literary and visual canons across the proverbial East-West divide. Her diverse practice investigates the blurred boundaries between fiction and nonfiction, storytelling and history writing, calling into question issues around redaction, perception of authority, and independence.

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Pace Prints
Contemporary Prints

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Tel 212 421 3237
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Pace Master Prints
Old Master and Modern Master Prints

32 East 57th Street, 3rd Floor
New York, NY 10022

Tel 212 421 3237
Fax 212 832 5162

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Saturday: 10-5


Summer Hours (Jun 18– Aug 24)
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Pace Primitive
Tribal and Ancient Art

32 East 57th Street, 7th Floor
New York, NY 10022

Tel 212 421 3688
Fax 212 751 7280

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Tue - Fri: 10-6
Sat: 10-5


Gallery Summer Hours (Jun 19–Jul 27)
Mon - Thu: 10-6
Fri: 10-4


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Pace Prints
Contemporary Prints

521 West 26th Street
3rd & 4th Floors
New York, NY 10001

Tel 212 629 6100
Fax 212 629 6113

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Gallery Hours
Tuesday-Friday: 10-6
Saturday: 11-6


Summer Hours (Jun 18– Aug 17)
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