Emma, 2002
113-color hand printed ukiyo-e woodcut

Master ukiyo-e wood block printer, Yasu Shibata, utilized the traditional ukiyo-e style printing technique to produce this extraordinary image. It took almost two years to complete this remarkable example of collaboration and virtuosity.

Lyle, 2003
149 Color silkscreen

This remarkable large scale image is printed as a color silkscreen edition using a total of 149 colors.

Self Portrait/Scribble/Etching, 2000
Etching

The creative process that Chuck Close employed in making this edition began in his traditional manner with a photographic portrait of his subject matter. In this case, the subject matter was a self portrait photograph.

Geisha, 2003
Twenty three color Ukiyo-e style woodcut on Torinoko paper

Master ukiyo-e wood block printer, Yasu Shibata, combined traditional ukiyo-e wood block printing techniques with modern materials and presses to produce this exquisite print edition by Helen Frankenthaler.

Everyone has a Theory as to Why III, 2002
Iris print

The CARL FUDGE, EVERYONE HAS A THEORY AS TO WHY I AND III project was entirely created digitally in our digital workshop and printed on an Iris Printer.

Patience, 2001
Iris print, relief, collage, wood veneer, silver foil, hand-colored

This series titled Six Sets are relief and iris print collages with hand coloring by the artist, Jane Hammond.

Two Columns A, 2004
Etching with relief on Mulberry paper mounted onto Arches Cover white

Robert Mangold's set of three woodcut and etching prints are beautiful renditions of his current printing theme - columns.

Cold Moon I, 2003
Softground and aquatint etching

Cold Moon I and Cold Moon II are perfect examples of the fine, delicate detail that can be achieved with soft ground etching.

Rapa I, 2003
Iris and etching print

This was a very exciting project for both the artist and the printers because it was a collaboration between the digital and traditional printing techniques.

Conversion, 2003
Relief print, printed from linoleum onto an aluminum plate

Robert Ryman in collaboration with printer Ruth Lingen produced this beautiful suite that was printed directly onto aluminum litho plates.

Untitled (C), 2003
Woodcut printed on Gampi paper, mounted onto Hanga Dosa Paper

Joel Shapiro has always had a fascination for wood. For this edition, Joel selected various woods with grains and patterns that he found interesting. They were then planed into a series of printing blocks, which he hand-carved with a variety of custom made tools.

Lattice, 2003
Reduction linoleum cut

Lattice is a linoleum cut print printed using the reduction process. The reduction process is a multiple color printing technique using only one piece of linoleum block. Pablo Picasso developed this method; he nicknamed it the "suicide method" because the block is destroyed as the print is created.

Vanity, 2004
Woodcut

The delicate yet powerful image for Andy Spence's newest woodcut was selected from studies Spence records in his ongoing series of tracing paper.

Two Assets, 2004
Aquatint

Sue Williams generated numerous drawings on frosted mylar as the starting point for her prints. Click here to learn more about the process.